October 2009


The Lost Museum: The Fate of World’s Greatest Lost Treasures is the title of an exhibition by Shaurya Kumar which opens at the University of Arkansas’ Fine Arts Center Gallery on October 26 and continues through November 18, 2009. Kumar based The Lost Museum on analysis of digital archiving methods used to document art and culture. The artifacts in this so-called “museum” are digital prints constructed from images of treasures either missing or destroyed during acts of war and violence throughout history. The images seek to re-create an archival record of works such as a Buddhist mural painting destroyed by the Taliban and a tapestry by Spanish artist Joan Miro that once hung in the World Trade Center in New York. Unfortunately, the instability of digital archiving methods is demonstrated by the degeneration of these important images, which represents yet another destruction of the world’s greatest treasures.

Shaurya Kumar will present a visiting artist lecture on Thursday, October 29 at 5 pm in Room 213 of the Fine Arts Center with a reception to follow. This event is free and open to the public.

Kumar is currently an assistant professor of art at Bowling Green State University, where he is developing a new program of Hybrid Art, integrating traditional 2D art methods with digital technology. He holds a BFA from the University of Delhi, India and an MFA from the University of Tennessee, Knoxville.

For more information about the exhibition and to see images of the work, please visit the artist’s website at:
www.shauryakumar.com

Artwork created by inmates on Arkansas’ Death Row will be featured in the hallway display cases in the Fine Arts Center October 1 – 16. This presentation was designed to complement the current exhibition in the Fine Arts Center Gallery, “Cellblock Visions: Prison Art in America.” The Arkansas Death Row inmates artwork includes items made from popsicle sticks, magazine pages, and candy wrappers — as well as a large selection of greeting cards, which are sold to raise funds for the art program’s supplies. While the gallery exhibition features paintings and drawings made by prisoners in art classes, the Arkansas inmates do not have access to such instruction, so their work is all self-designed and limited to the materials they are allowed to work with. Highlights of the display include a shadow box “piano bar” and a chess set — which attest to the inmates’ creativity.